follow us on Facebook twitter linkedin pinterest GDUSA on Google+
         
         
DPC

GDUSA

Graphic Design USA Magazine

Archive
trends

Guest Post by Image Source

As the world is getting craftier we look at three key moments in the emergence of Craft as a creative and commercial phenomenon. Consider these three pivotal moments in the emergence of Craft and the Handmade over the last 20 years, a Design moment, a production and retail moment, and a moment that merges sophisticated digital processes with a notion of the handmade.

1. Design: Stefan Sagmeister

During the mid to late 90s New York-based designer Stefan Sagmeister produced a series of works for clients that didn’t just go against the grain of modernist revivalism in design but chewed up the grain and spat it out, regurgitating design formulas as the playfully handcrafted. While designer David Carson unravelled the modern layout, Sagmeister took out his pen-knife and carved his initials in the tree.

Sagmeister’s handcrafted work feels both like a highly personal piece of communication but his Craft also attacks our conventional, common sense ideas of the kinds of materials Advertisers and Marketing people might use for messages. For example his poster for Lou Reed’s album Set the Twilight Reeling draws the the song titles over Reed’s face.

Stefan-Sagmeister-Set-the-Twilight-Reeling-1996-600x800
Stefan Sagmeister, Set the Twilight Reeling, 1996. From Sagmeister, by Peter Hall, Booth-Clibborn Editions, 2001

Read More

Photographer JLPH / Cultura RF
Photographer JLPH / Cultura RF

It’s tempting to say that in 2014 Craft is big business, but of course Craft is always small business.

So when was it that we moved from the world of anonymous corporate branding, design and logos, to the world of sign-painting? Actually, in this post-credit crunch era its easy to imagine many financial institutions fantasizing about swapping the cold, discredited corporate typeface for the almost childlike appeal of handmade signage.

Read More

The 10 Commandments of Color Theory is a comprehensive resource for all those who find choosing color themes a task too baffling and intricate. From the psychological impact of colors to the various different color schemes and combinations, this infographic holistically sums up the essentials of color selection and the anatomy of the color wheel all in one, unique layout.

The 10 points illustrated below dish out for you the elementary science behind the theory of color. This infographic is a sequel to DesignMantic’s The 10 Commandments of Typography which you can check out here

10 Commandments of Color Theory

Read More

Guest Blog Post by Image Source

James Friedman’s photographic series, Pleasures and Terrors of Kissing, feels like an encyclopedia or taxonomy of kissing, or the document created by an ethnographer – passionate, affectionate, oblivious. Shot in black and white, the series enables the viewer to focus on the stillness of the kiss – the awkwardness of the bystander faced with this bubble in space hints at a little bit of social chaos injected by the public display of private passion (‘where to look?’).

Lips are the border of inside and outside, and in the latter part of the 20th Century ‘the kiss’ has been celebrated in photography as a public window on a private emotion – think of the couple in Robert Doisneau’s Kiss By The Hotel De Ville. Or Alfred Eisenstaedt’s image of the sailor kissing the woman in the white dress in Times Square on V-J Day. It’s the ultimate ‘anti-social’ image, not in the sense of being destructive, but an image of two people recoiling from the social world, into their world, whose pleasure and terror is not the exclusion of every other human being, it’s more profound than simply exclusion – in the pleasure of the kiss no one else exists. And because kissing is done with eyes closed, it’s a feeling that is almost unrepresentable, that can’t be said, and only seen in the photograph.

Photographer James Friedman, Pleasures and Terrors of Kissing, no. 701
Photographer James Friedman, Pleasures and Terrors of Kissing, #701

Read More