follow us on Facebook twitter linkedin pinterest GDUSA on Google+
         
         

GDUSA

Graphic Design USA Magazine

Archive
print

TheD4D_MapBacks_Grid-1000

Creative Director Matt Checkowski is known for such innovative projects as digital content for an opera, the first ever pop-up museum for scent and co-creating the dream sequences in Steven Spielberg’s Minority Report. His company, The D4D, in downtown Los Angeles, is a hub of creativity and a place that inspires ideas with a playful, design centric environment. Like many design enthusiasts, he’s also a collector.

Read More

As part of our 50th Anniversary celebration GDUSA has conducted a series of surveys within the design community. This time around we asked our readers to tell us their favorite magazine designs of the past 50 years. Let us know if we missed any of your favorites.

 

rolling stone 3

1. Rolling Stone

 

Read More

GDUSA recently conducted our 50th Anniversary Print Survey. The results will be in print and online shortly but here is a sneak peek at the Top 12 Favorite Fonts for Print Design.

favfonts

Any favorites we missed? Let us know in the comments section.

You can read our other Anniversary surveys about logos and design projects here.  Interested in the most influential designers in the past 50 years? Just click here.

Read More

king_hardcover_front

Stephen King made a big splash in the publishing world when he recently announced that he has no plans to publish a digital version of his new novel “Joyland” (June 2013, Hard Case Crime). Well, maybe at some point, but in the meantime, “let people stir their sticks and go to an actual bookstore rather than a digital one,” he told the Wall Street Journal. It’s not that King’s a luddite either: his January essay on guns was published digital-only as an Amazon single. And all the way back in 2000 he perplexed the publishing establishment by releasing the novella “Riding the Bullet” as an e-book. (At the time, Jeff Bezos still thought Kindle meant starting a fire with wood chips.) Hey, if King were predictable, do you think 500 million people would have shivered their way to the terrifying ends of his tomes? So kudos to Cujo’s creator for pushing people back into bookstores. But maybe this was the perfect book to take advantage of the changeling nature and limitless options of digital: because the art for “Joyland” really pops, and there’s a lot of it.

 

king_paperback_cover

Although the story is set in North Carolina in 1973, the nostalgia-tinged paperback edition cover resembles
a 1950s dime store mystery. The stylized illustration provided by Glen Orbik features a buxom redhead
startled in the corner of a carnival, clutching a brownie bullet camera.

king_limited_frontandback

Then there’s the limited edition hardcover by artist Robert McGinnis, who give us the backside of a
string-bikini-clad raven-haired woman walking on the beach in heels carrying a rifle. More 1973,
perhaps, a hint of Hef and all. But wait, there’s more! Susan Hunt Yule illustrated a map of Joyland
especially for the limited edition that graces the back cover. She ditches sex appeal for a colorful and
downright cheerful look at the amusement park with a cool pop-modern aesthetic. Which cover is
right? Now stop it: you know you can judge a book that way.

Stephen King always keeps us guessing, paying homage to the bookstore just as his covers nod to
old books. And Hunt Yule, if you call her quick, may just be able to draw you a map to get to your
local bookstore–while it’s still there.

 

This article originally appeared on 2Paragraphs

 

Read More