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Globally recognized photographer Evgeny Tchebotarev is giving away 15 popular images free to GDUSA’s designer audience.

No catch.

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Guest Post from Image Source
By John O’Reilly

The conversation around technology is already changing, slowly, discreetly, the network has become ‘pervasive’, ‘embedded’,’wearable’ – it’s in the ‘cloud’. You get a sense of the prevailing winds when in the UK the BBC’s The Apprentice features a task to design wearable technology, amid anxieties over privacy, and despite one of the products looking like a jacket with added gaffer tape one retailer ordered 250 because they “like to be early adopters of technology”.

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Guest Post from Image Source
By John O’Reilly

Tibor and Maira Kalman’s (un)Fashion book was like a special edition of the Colors magazine he used to edit. A curated work of visual anthropology it shines a light on the everyday design of non-designers.

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(un)Fashion, Tibor and Maira Kalman, Booth Clibborn, 2000. Family in Gobi desert, Mongolia. Gueorgui Pinkhassov /Magnum

When designer Tibor Kalman died in 1999, he left a legacy of deeply influential work that was significant as much for its cast of mind as it was for its design. Currently the notion of the designer is expanding, from the producer of ‘design thinking’ to the idea of the designer as storyteller. The latter being somewhat disputed by graphic designer Hamish Muir (founder of 8VO) in a recent Tweet.

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Guest Blog Post by Image Source
Interview by John O’Reilly with Boat Magazine Editor Erin Spens

Design Week called Boat magazine “One of the most exciting new titles we’ve seen in a while. A brilliant concept and equally brilliant execution.” Creative Review couldn’t resist a seaworthy metaphor in its praise, “Still moving, Boat Magazine continues to be one of the most inspiring ventures out there.” While The Rumpus, a San Francisco-based culture mag with the tagline, “A love letter to the convict in your heart” clearly enjoyed the prison library duties, “This is the best magazine I have read in a long time — one of the most creative, beautiful, and engaging things to ever land in my mailbox.”

Editor Erin Spens and Creative Director Davey Spens launched Boat magazine in 2011, as a project of Boat Studio in East London. Like many new niche magazines in the new publishing model both online and offline, Boat also served as a portfolio piece for the Studio except its proposition was always much more conceptual and interesting. Not only did each issue focus on a single city, but for each issue, the magazine team relocated to the city it was featuring.

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