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Graphic Design USA Magazine

Archive
April 2014

Guest Blog Post by Image Source

James Friedman’s photographic series, Pleasures and Terrors of Kissing, feels like an encyclopedia or taxonomy of kissing, or the document created by an ethnographer – passionate, affectionate, oblivious. Shot in black and white, the series enables the viewer to focus on the stillness of the kiss – the awkwardness of the bystander faced with this bubble in space hints at a little bit of social chaos injected by the public display of private passion (‘where to look?’).

Lips are the border of inside and outside, and in the latter part of the 20th Century ‘the kiss’ has been celebrated in photography as a public window on a private emotion – think of the couple in Robert Doisneau’s Kiss By The Hotel De Ville. Or Alfred Eisenstaedt’s image of the sailor kissing the woman in the white dress in Times Square on V-J Day. It’s the ultimate ‘anti-social’ image, not in the sense of being destructive, but an image of two people recoiling from the social world, into their world, whose pleasure and terror is not the exclusion of every other human being, it’s more profound than simply exclusion – in the pleasure of the kiss no one else exists. And because kissing is done with eyes closed, it’s a feeling that is almost unrepresentable, that can’t be said, and only seen in the photograph.

Photographer James Friedman, Pleasures and Terrors of Kissing, no. 701
Photographer James Friedman, Pleasures and Terrors of Kissing, #701

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Lucia-Eames-2004

Lucia Eames, the only child of American architect and designer Charles Eames and only step-daughter of designer and painter Ray Eames, died April 1 at the age of 83. Born in 1930 to Charles and his first wife, Catherine Woermann, Lucia was an artist, graphic designer, owner of the Eames Office, and founder of the Eames Foundation — not to mention a mother of five.

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vangogh

“Great things are not done by impulse, but by a series of small things brought together.” -Vincent van Gogh

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